Thomas (Cyrill) rings Elliot’s (Tristan) door in an attempt to give back his ID card, lost during a morning run at the park. They both met during college, but it’s been so long… Will Elliot remember Thomas? Despite living very different lives, they find themselves sharing the same crave for the perfect outbreak. 　　Noel Alejandro’s six film is no ordinary porn. It’s a cinematic depiction of all the trust, excitement, pain and passion that is in the encounter between two men that’ll take the chance. Give yourself to the steamy bodies and the mind-blowing blowjobs, and share the thrills of the sweet sins hovering in the air. 　　Starring real-life couple Cyrill and Tristan (you can tell by their dazzling chemistry!), the two performers whose talent loaded Doing Elliot’s with the most honest emotions. 　　Doing Elliot was partly filmed in Molenbeek, Brussels. Directed by Noel Alejandro.

When Blitzen announces his retirement on December 21st, a miniature horse has 3 days to fulfill his lifelong dream of earning a spot on Santa'…

When Blitzen announces his retirement on December 21st, a miniature horse has 3 days to fulfill his lifelong dream of earning a spot on Santa's team at the North Pole try-outs.

In Return To T. S. Eliotland writer and critic A.N. Wilson explores the life and work of one of the twentieth century’s greatest poets, T.S. Eliot. 　　Andrew Wilson has been reading and rereading Eliot for much of his life. Now from the halls of Harvard University to a Somerset village, via a Margate promenade shelter, he follows the spiritual and psychological journey that Eliot took in his most iconic poems. 　　From The Love Song of J Alfred Prufrock to The Waste Land and from Ash Wednesday to Four Quartets, Wilson traces Eliot’s life story as it informs his greatest works. He travels to the places that inspired them, visiting the Eliot family’s holiday home on the Massachusetts coast, following him to Oxford where he met and rapidly married his first wife, the lively and bohemian Vivien Haigh-Wood, and on to London where he made his home and his name. He explores how Eliot’s realisation that he and Vivien were fundamentally incompatible and their resulting unhappiness influenced The Waste Land and examines how his subsequent conversion to Christianity coloured his later works, concluding his journey by visiting some of the key locations around which he structured his final masterpiece, Four Quartets. 　　Chock full of allusion, at times opaque and elliptical, Eliot’s poetry is widely regarded as complex and difficult - but here A.N. Wilson eloquently makes the case that grappling with it has immense rewards. In these works, Eliot takes on weighty ideas of time and memory and faith and belief, themes which Wilson argues have as much relevance today as during his lifetime. And whilst hailing his genius, Wilson does not shy away from confronting the discomforting and dark side of his work.

In Return To T. S. Eliotland writer and critic A.N. Wilson explores the life and work of one of the twentieth century’s greatest poets, T.S. Eliot. 　　Andrew Wilson has been reading and rereading Eliot for much of his life. Now from the halls of Harvard University to a Somerset village, via a Margate promenade shelter, he follows the spiritual and psychological journey that Eliot took in his most iconic poems. 　　From The Love Song of J Alfred Prufrock to The Waste Land and from Ash Wednesday to Four Quartets, Wilson traces Eliot’s life story as it informs his greatest works. He travels to the places that inspired them, visiting the Eliot family’s holiday home on the Massachusetts coast, following him to Oxford where he met and rapidly married his first wife, the lively and bohemian Vivien Haigh-Wood, and on to London where he made his home and his name. He explores how Eliot’s realisation that he and Vivien were fundamentally incompatible and their resulting unhappiness influenced The Waste Land and examines how his subsequent conversion to Christianity coloured his later works, concluding his journey by visiting some of the key locations around which he structured his final masterpiece, Four Quartets. 　　Chock full of allusion, at times opaque and elliptical, Eliot’s poetry is widely regarded as complex and difficult - but here A.N. Wilson eloquently makes the case that grappling with it has immense rewards. In these works, Eliot takes on weighty ideas of time and memory and faith and belief, themes which Wilson argues have as much relevance today as during his lifetime. And whilst hailing his genius, Wilson does not shy away from confronting the discomforting and dark side of his work.

Born Mary Ann Evans in 1819, the novelist George Eliot was a woman ahead of her time: a proud and determined individual who continually broke the sexual, religious and social rules of Victorian society. 　　She was one of the greatest minds of her age, yet she debased herself for love. 　　George Eliot - A Scandalous Life explores how the scandals and rumours that plagued her life, never defeated her will or her literary genius; and how, against all odds, she went on to write some of the world's greatest novels including Middlemarch, The Mill on the Floss, and Silas Marner. 　　With access to remaining letters, diaries and newspaper articles, A Scandalous Life creates an intimate portrait of an exceptional woman, who overcame social isolation and rejection to become one of our greatest writers. 　　Presented by George Eliot enthusiast Maureen Lipman, and with Harriet Walter as the writer, George Eliot, A Scandalous Life recreates the events of this extraordinary life.

ELLIOTT CARTER - A LABYRINTH OF TIME 　　A documentary film by Frank Scheffer 　　Picture format: NTSC 4:3 　　Sound format: Dolby Digital 2.0 　　Region code: 0 　　Languages: English, French, German, Dutch, Spanish, Japanese 　　Running time: 90 minutes 　　No. of DVDs: 1 　　Comprehensive 12-page booklet contains authoritative essay, discography, photos and biographies in English 　　* Elliott Carter represents almost a century of American music history. Throughout the world he is considered as one of the most important contemporary composers, one who finds inspiration in the clash of European tradition and American innovation. The creative period in his life spans more than 70 years and testifies of the composer's extraordinary dedication to the culture of music. 　　* In A Labyrinth of Time, Frank Scheffer shows Carter's musical development and projects his compositions in time, in a journey led the composer himself. Beautiful pictures of the city of New York, of which Carter is a lifetime citizen, used as a metaphor, help building the juxtaposition of Carter's music and its reflection on our democratic society. 　　* The film also features interviews with Daniel Barenboim, Charles Rosen and Pierre Boulez. 　　Accolades afforded to this film include: 　　- SACEM Award, Classiques en Images 2004. 　　- Best Documentary Award, Student Prize, Golden Prague Festival 2004. 　　"Frank Scheffer's 'A Labyrinth of Time', a study of world-renowned American composer Elliott Carter, fascinates as it illuminates." Variety 　　"Unique insights into the composer's artistic philosophy and character." www.bbc.co.uk

Elliott from Earth is a 16 x 11-minute animated sci-fi comedy about a boy and his mum who find themselves suddenly transported somewhere across the universe surrounded by an amazing array of aliens from new and unknown corners of the galaxy. While trying to work out who brought them there and why, they make a new home for themselves and encounter new friends, including Mo, the only other being from Earth - a dinosaur.

Elliott from Earth is a 16 x 11-minute animated sci-fi comedy about a boy and his mum who find themselves suddenly transported somewhere across the universe surrounded by an amazing array of aliens from new and unknown corners of the galaxy. While trying to work out who brought them there and why, they make a new home for themselves and encounter new friends, including Mo, the only other being from Earth - a dinosaur.

2020年夏，随着巴黎第一波疫情封城的结束，剧团在香榭大道的剧院里开始排练改编自普鲁斯特《盖尔芒特家那边》的新戏。然而，演出取消的传闻不断，剧团内意见分歧，众人对继续排戏的看法不一。有些人担心社交距离无法维持，有些人则因为担忧演出冲突而感到困扰，甚至有演员因演出取消而松了一口气。 　　尽管面临种种不确定，导演（Claude Mathieu 饰）的坚持促使演员们重新穿上戏服。没有演出压力后，大家反而感到轻松自在，享受着不分昼夜的自主排练。戏中的台词、表情和走位逐渐与他们的现实生活交织在一起。普鲁斯特所描绘的往事与他们因疫情而起伏的情绪不谋而合，焦虑、恐惧、孤独与渴望在镜头与对白中悄然成形。无论是戏里似水的年华，还是戏外因防疫而逝去的时光，界限变得模糊。最终，尽管演出是否能如期进行尚未可知，所有演员决定用尽全力享受排戏的过程，珍惜这段相聚的欢乐时光。